Alec Berry breaks down the DRAWINGS INSPIRED BY THE FILM AMERICAN PSYCHO Broadsheet Edition
Floating World Comics published over at
Spandexless.
Check it out here. Here are some kind words from the review:
Ben Marra, with the possible exception of Michael Deforge, is the best artist in alt-comics at the moment.
DeForge and I hung out in Toronto this past weekend at TCAF. We're bros. Here is some more insight into the publication from the review:
The thinness of newsprint allows images to be superimposed. Visuals on
the back of a page become visible on the front of a page, and vice
versa. This layering effect adds background detail to the image being
viewed, pocking wholes in the illustrations’ perceived perfection as
lines mesh, figures distort and characters begin to move. This technique
is best used on the cover page where Bateman stands smirking at the
reader, wearing a fitted suite with perfectly kept hair, while holding a
bloody knife in front of an apartment complex. The cleanness that
Bateman exudes is shattered as the image on the back of the page begins
to bleed onto the cover, adding splashes of blood across Bateman’s face
and the apartment complex he’s exiting, creating the image of a messy
and disoriented killer. Adding these details directly to the primary
image would disrupt the “cleanness” of the page and remove Bateman’s
perceived control over the book, but by using the paper’s thinness to
creates ghost images, Marra’s able to create a layered effect that gives
the reader a glimpse into Bateman’s psyche and his loss of control.
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