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Does Marra simply just love drawing a motorcycle tire smearing some thug’s head into pulp on a sidewalk in Nowhere City, U.S.A., circa 1983? Turns out that ‘Fuck yes!’ doesn’t even do the sentiment justice. The adolescent passion unchained here is matched only in the most ridiculously enduring excesses of punk and heavy metal—the soundtrack to what Marra describes as the kind of artwork that spills out of a sullen stoner in the back of the class in high school. His characters and his plots and his worlds themselves are distorted and deformed beyond the laws of physics and society both, but make up for it with the kind of confident enthusiasm you get only when your sword is also a chainsaw, and you can fly, too.Check out the full interview here.

While Benjamin Marra's reputation precedes him enough that the general tone of his work is unlikely to surprise, his experiments in how he exercises that work seem ever-developing. 2011 saw the guy showing up everywhere, but it was in the gray newsprint pages of Gangsta Rap Posse where the most hits landed. One of those long sought after "perfect comics", GRP #2 didn't hold back from a single transgresion, delivering page after page of shadowless violence. More celebration than revelation, Marra's brazen willingness to prize his own taste above all else bore fruit once again. If more cartoonists were as in touch with what their hands want to create, making these lists would be a whole lot harder.

Check out the list #11 to 30 here.A couple of years after Marra's Traditional Comics published the first issue of this series in which an N.W.A-like rap group lives the life it rhymes about, he returns with issue #2, using a more streamlined pen-and-ink style to depict the violence and debauchery of his mythical "heroes."
The thrill of this book is not just in its witty satire of politics and hip-hop poses, but in the glee in which the story unfolds. A book like this makes all other macho action comics seem like soft-focus Lifetime movies in comparison.
Ben Marra has been the single most important artist of action comics going for a few years now, and the new issue of his slashers 'n' strippers series Night Business that came out at the Fest only strengthens his case as the modern era's heir to the comics-about-fighting throne. Much as his work outclasses Avatar and outguns Marvel, though, Marra has an equally strong affinity for the avant-garde, and his truly bizarre quasi-adaptation of everyone's favorite Christian Bale movie (what) shows off the more uncompromising side of what's already a rock hard aesthetic.And:
But the real story here is Marra's art, which is far and away the best work of his career. Free of the demands placed on it by story, Marra's compositional sense runs absolutely wild, filtering everything from Kirby to classical painting to Black Flag gig flyers into a stark, streamlined, utterly arresting whole. These pictures seem almost mathematically calculated to haunt the eyes they meet: whether it's the sublimely balanced blacks and whites or the point-of-impact axe to neck shots, something here is bound to stick in the mind long after the 'zines are put away.












This year's Brooklyn Comics & Graphics Fest is happening this Saturday, December 3rd, from noon to 9 PM at the Our Lady of Carmel Church. Entry is FREE. It's a great collection of comic books, art books, art prints and other random ephemera. It's possibly my favorite comic show of the year. This year I'll have the following comic books debuting and goods to offer:
NIGHT BUSINESS, ISSUE 4
GANGSTA RAP POSSE, ISSUE 1, SECOND PRINTING
TRADITIONAL COMICS, ELF BOOKLETS
SMOKE SIGNAL #10
T-SHIRTS (HOPEFULLY)
THE REST OF THE TRADITIONAL COMICS COMIC BOOKS
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